Hindutva, Immorality, and the Facade of Liberation in Bollywood: Revisiting Anil Kapoor and Dharmendra’s Characters in "Dil Dhadakne Do" and "Rocky Aur Rani Kii Prem Kahaani"
Bollywood’s cultural narratives often serve as contested spaces where societal values, moralities, and ideologies like Hindutva intersect. The films "Dil Dhadakne Do" (2015, dir. Zoya Akhtar) and "Rocky Aur Rani Kii Prem Kahaani" (2023, dir. Karan Johar) exemplify this tension, particularly through the portrayal of male characters—Anil Kapoor as Kamal Mehra and Dharmendra as Kanwal Lund—who embody immorality through infidelity, non-ownership of the infidelity, and abusive behavior. Despite their transgressions, both films construct narrative arcs that excuse or sanitize this immorality, projecting a veneer of liberation while ultimately reinforcing the patriarchal, upper-caste, North Indian Hindi-speaking Hindutva culture. The communicative inversion that turns Kamal Mehra and Kanwal Lund into victims of their circumstances forms the narrative infrastructure of Hindutva misogyny, incorporating within the discursive space claims of liberation and emancipation whil...