Mohan Dutta: Culture-Centered Approach

The different narratives of a situation by the different people involved in it reminded me of a movie very close to my heart, Rashomon . As Connelly (2002) succintly puts it, the decision to retell a story will depend on the personal reasons/ motivations of the reteller. In today's world of health communication we have so many competing narratives. The search for the "real" or "right" narrative is not important but what's important is not to ignore these stories. Narratives provide us invaluable insights into a human beings life, suffering, existence, surrounding, health. In many ways it provides us a ground to move ahead, take decisions.  In emergency response, in the first 48 hours, usually teams do not find much records or information as most records are affected and the normal information channels are in a disarray and non functional. So, the way the response team moves ahead is by collecting narratives: "so please tell us how did the flood waters c...

Quintus Horatius Flaccus, (Venosa, December 8, 65 BC - Rome, November 27, 8 BC), known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus. Horace said that literature should at once teach and delight. Narratives, as part of literature should do the same. Narratives "capture [an] incredible tangle of necessity and freedom in human life, and plot enacts it in the selection and ordering of events and in the quasi-casula implications of its telling" (Chambers and Montgomery, 2002, p.77). They argue the necessity of choice in our moral lives, but that our predispositions and options are always conditioned by our past and history. Russian formalists distinguish 'story' from 'plot', defining the first as actual set of events and the latter as the teller's viewpoints. Chambers and Montgomery further argue that there can never a story without a plot, and plots vary from situation to situation and thus also influenc...

Increasingly, a new generation of health communication scholars are drawing our attention to the performative nature of health communication. In our experiences of health and illness; in our interactions with our loved ones in a variety of health contexts; in our interactions with healers and health care providers; in our sharing of our stories of health, illness, healing, and dying with others in our communities; in our participation in social and political processes that seek to address issues of healthcare, we continually perform ourselves. Performance in this sense is both public and private. We perform our selves in health communication interactions; and perform often for others, for the purposes of understanding, sharing, creating community and bringing about change. It is through our performances that we co-construct stories of health that articulate the violence inflicted by oppressive social structures, and suggest avenues for social change.