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The Haka, the Hurt, and the Work We Owe

 



The Haka, the Hurt, and the Work We Owe

An Indian in Aotearoa reflects on resistance, complicity, and the solidarities we have yet to build

Mohan Jyoti Dutta

I watched the haka. I watched it several times, in fact. Each time, I tried to sit with what I was feeling before reaching for what I was supposed to think.

Let me be honest about who I am in this conversation, because that matters. I am an upper caste, upwardly mobile Indian man. I am a professor at a university in Aotearoa. I carry the accumulated privileges of Brahminical socialisation, of English-medium education, of institutional access that was never designed for the communities I now write about and alongside. I say this not as confession but as orientation — because where you stand shapes what you see, and I have learned, through years of working with communities at the margins, that the refusal to name your own location is itself a colonial habit.

The haka directed at Parmjeet Parmar did not offend me. It did not cause me alarm. It did not make me feel unsafe. I want to say that plainly, because a great deal of the commentary that followed has worked hard to produce exactly that feeling in people like me — to recruit Indians into a sense of collective racial injury, as though the haka were aimed at us, at all of us, as a people.

That is not what I saw.

What I saw was pain. What I heard was the anguish of a people watching their foundational constitutional covenant — Te Tiriti o Waitangi — being dismantled by a government in which Parmar has played a conspicuous and enthusiastic role. What I read in the haka was an expression of resistance to a colonial structure that has, for over a century and a half, worked to dispossess Māori of land, language, and political power. In that context, the haka named a betrayal. It called out complicity. It refused the performance of multicultural civility that is so often demanded of Indigenous peoples when they are being actively harmed.

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Now, let me also say this: there are elements of the haka that invoke stereotypical depictions of Indians. I am not going to pretend otherwise, and I do not think it serves anyone — least of all the project of building genuine solidarity — to look away from that. Stereotypes of Indians, like all racial stereotypes, deserve critique. They flatten the extraordinary diversity of South Asian communities into caricature. They erase the internal hierarchies of caste, class, religion, region, and language that make “Indian” an almost impossibly broad category. And they risk producing the very lateral violence that undermines the coalitional work decolonisation demands.

But here is what the outrage industry around the haka conveniently leaves out: these same stereotypes — the very tropes being decried — are not Indigenous inventions. They are colonial inheritances. The British Crown perfected the art of racial typology as an instrument of imperial governance. Under colonial rule, Indian communities were catalogued, ranked, and sorted into hierarchies of civilisational worth. Martial races and criminal tribes. Loyal subjects and seditious agitators. The industrious and the indolent. These categories were not descriptions of reality. They were technologies of control, designed to divide colonised peoples against one another so that a relatively small number of British administrators could govern a subcontinent of hundreds of millions.

Divide and rule was not a metaphor. It was policy. The same British Crown that partitioned Bengal in 1905, that engineered communal electorates to fracture Hindu-Muslim solidarity, that set caste against caste and region against region across the subcontinent — this same Crown signed Te Tiriti with Māori rangatira and then spent the next century violating it. The colonial playbook is remarkably consistent. And one of its most enduring legacies is the way colonised peoples learn to see one another through the coloniser’s eyes.

So yes, stereotypes of Indians must be challenged. But the challenge cannot stop at the surface of representation. It must go to the root: who produced these stereotypes, and to what end? And — more uncomfortably — which of us have internalised them so thoroughly that we now deploy them against others?

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This is where I want to turn inward, because the real reckoning here is not with the haka. The real reckoning is with ourselves.

I grew up in a large joint family in India, in a household animated by social justice and community work. But I also grew up inside the unspoken architecture of caste. I know what it sounds like when upper caste Indians speak about Adivasi communities — the Indigenous peoples of India. I know the tone. The pity that is really contempt. The development rhetoric that is really displacement. The assumption that tribal peoples are obstacles to progress, that their attachment to land and forest is backwardness, that they would be better off assimilated into the mainstream. I know this because I heard it at dinner tables, in family conversations, in the ambient common sense of the world I was raised in.

That same logic travels. It crosses oceans. It settles into diasporic communities with remarkable ease, because it was never just about India. It is a colonial logic, and it finds new hosts wherever colonised peoples encounter Indigenous peoples whose presence and whose claims unsettle the settler bargain.

In Aotearoa, this logic takes a specific and pernicious form. It is the model minority ideology — the story we tell ourselves, and that the settler state tells about us, to conscript us into the machinery of Indigenous dispossession. The model minority does not need to be explicitly anti-Māori to do anti-Māori work. It just needs to perform its own success loudly enough that the comparison becomes implicit. We work hard. We contribute to the economy. We don’t ask for handouts. The unspoken second half of every one of these sentences is: unlike them.

I have heard Indians in Aotearoa say, without a trace of irony, that Māori should be grateful to us. Grateful because we pay taxes. Grateful because we staff hospitals and build businesses and send our children to good schools. Grateful because our labour subsidises their welfare, their housing, their dole. This is not just ignorance. It is the active reproduction of colonial logic by people who should know better — people whose own grandparents lived under the boot of the very same empire that dispossessed Māori.

The model minority performance draws its energy from the denigration of tangata whenua. It thrives on imbibed colonial tropes: the Māori on the dole, the criminal Māori, the Māori on welfare, the Māori who cannot help themselves. These are not observations. They are narratives manufactured by settler colonialism to justify ongoing dispossession. And when Indians repeat them — at barbecues, in WhatsApp groups, at temple gatherings, over chai — we are doing the coloniser’s work. We are earning our proximity to whiteness by stepping on the people whose land we live on.

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This is why the haka should make us pause. Not retreat into defensiveness. Not reach for the easy outrage of wounded dignity. But pause, and reflect.

Unlike Parmar, whose lazy articulation of racism and migrant dignity easily obfuscates and erases her own central role in perpetuating anti-Māori racism, those of us with Indian whakapapa owe ourselves a harder conversation. Parmar invokes the language of racial harm to shield herself from accountability for policies that actively harm Māori. She speaks of migrant dignity while serving a government that has made the dismantling of Māori rights a centrepiece of its legislative agenda. She wants us to see the haka as an attack on Indians. I see her framing as an attack on solidarity — a strategic deployment of racial grievance to prevent brown communities from recognising our shared interest in opposing the structures that harm us all.

The critical reflection I am calling for is not comfortable. It requires us to turn inward. To ask: what is our role, as settlers of colour in Aotearoa, in perpetuating the disenfranchisement and marginalisation of Māori? What caste logics do we carry into our engagement with tangata whenua? What colonial tropes have we absorbed so deeply that we mistake them for common sense? What role are we playing — actively, passively, through silence — in the erosion of Te Tiriti?

And, just as importantly: what positive role can we play? What would it look like for Indian communities in Aotearoa to stand alongside Māori in genuine solidarity against the forces of white supremacy that seek to divide and conquer us? What would it mean to honour Te Tiriti not as an abstract principle but as a living commitment — one that shapes how we organise our communities, how we raise our children, how we relate to the land we have been welcomed onto?

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The political landscape of Aotearoa in this moment demands that we see the colonial architecture clearly. The coalition government operates through a precise division of labour in its divide-and-rule strategy. One coalition partner thrives on anti-migrant rhetoric, stoking fears of the foreign other, performing border anxiety as political theatre. The other partner deploys migrants — recruits us, flatters us, instrumentalises our aspirations — and then points us at Māori. Upper caste Indians are easy recruits for this project, because we arrive with our own inheritance of the disgusting caste system, a system that has spent millennia naturalising hierarchy, teaching us that some people are born to lead and others to serve, that proximity to power is virtue, that those at the bottom deserve their suffering.

Caste did not stay behind when we boarded the plane. It travels in our social networks, our marriage markets, our temple hierarchies, our assumptions about who is deserving and who is not. And in the settler colonial context of Aotearoa, caste finds a ready-made partner in anti-Māori racism. The two systems feed each other. The contempt for Adivasi peoples in India and the contempt for Māori in Aotearoa are not identical, but they share a grammar — a grammar of civilisational ranking, of developmental hierarchy, of Indigenous peoples as problems to be solved rather than nations to be honoured.

The haka confronts us with this grammar. It refuses it. And it asks us — if we are willing to listen — to refuse it too.

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I want to be careful here, because I am not suggesting that Indian communities bear some unique or exceptional burden of racism. Racism in Aotearoa is structurally white. The primary axis of colonial violence runs between the Crown and Māori, between Pākehā settler society and tangata whenua. Indians did not design this system. But we are not outside it. We are inside it, and the question is always: on which side of the ledger do our actions fall?

I think about the British Raj and how it recruited certain Indian communities — upper caste, English-educated, administratively useful — into the colonial apparatus. These communities did not hold ultimate power. The British did. But they served the structure. They staffed the bureaucracies, collected the revenues, enforced the laws. They were not colonisers, but they were complicit in colonisation. And they were rewarded for it — with status, with education, with the psychic wages of being considered more civilised than those below them in the colonial hierarchy.

I see echoes of this in the way some Indian communities relate to the settler state in Aotearoa. Not as its architects, but as its willing functionaries. Not as white supremacists, but as beneficiaries of a system organised around white supremacy. The model minority is not the coloniser. But the model minority does colonial work.

Parmar is a particularly visible example of this dynamic, but she is not an aberration. She is a product of the same forces that shape many of us. The difference is that she has chosen to make anti-Māori politics her platform, her brand, her career. She has chosen to serve a government that is systematically attacking Te Tiriti, defunding Māori institutions, stripping away the modest gains of decades of struggle. And when Māori respond to this with the political and cultural tools available to them — including haka — she repositions herself as the victim.

This inversion is textbook colonial strategy. The oppressor claims the injury of the oppressed. The one doing harm cries out in pain. And the rest of us are asked to choose sides in a contest that has been deliberately misframed.

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I am not asking Indians in Aotearoa to feel guilty. Guilt is a useless emotion in this context — self-indulgent, paralysing, and ultimately centring the feelings of the privileged over the material conditions of the dispossessed. What I am asking for is something harder: honest reckoning, followed by action.

We need a critical pedagogy within our communities — one that recognises the mutuality of the two coalition partners in spreading colonial divide and rule. One that helps us see how anti-migrant rhetoric and anti-Māori racism are not opposing forces but complementary ones, two arms of the same colonial body. One that equips our young people to understand caste not as ancient history but as a living system that shapes their relationships, their politics, and their responsibilities in Aotearoa.

We need to build the kinds of relationships with Māori communities that are grounded in genuine reciprocity, not transactional multiculturalism. This means showing up. It means learning. It means accepting that solidarity is not about inserting ourselves into Māori struggles but about doing our own work — confronting casteism, challenging the model minority myth, refusing to be recruited as foot soldiers in someone else’s war against tangata whenua.

And we need to understand Te Tiriti — really understand it, not as an artefact of the past but as the constitutional foundation of this country, a foundation that protects not just Māori rights but the possibility of justice for all of us. When Te Tiriti is under attack, it is not just Māori who lose. It is everyone who believes that the relationship between peoples and the Crown should be governed by consent, by good faith, by mutual respect. If we cannot see that, then we have not yet begun the work of decolonisation.

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The haka was not comfortable. It was not meant to be. Haka is not theatre. It is not spectacle. It is not a cultural ornament offered up for the consumption of settlers. Haka is a political expression anchored in Māori cultural logics of resistance, whakapapa, and relational accountability. It has functioned, historically and in the present, as a language of refusal — refusal of dispossession, refusal of erasure, refusal of silence. To read haka outside of this political genealogy, to strip it of its epistemic grounding and recast Indigenous resistance as incivility, is itself a deeply colonial move.

I read the haka as a reminder. A reminder of the careful and deliberate work that is needed in building solidarities across communities that the colonial state would prefer to keep divided. A reminder that the model minority myth is a trap, not a compliment. A reminder that those of us who carry the inheritances of caste and colonialism have a particular responsibility to examine what we reproduce and what we refuse.

The haka was not directed at me. It was directed at a political project — a project of Indigenous dispossession in which a woman of Indian heritage has chosen to play a leading role. My responsibility, as an Indian in Aotearoa, is not to defend that project. It is to dismantle the conditions that make it possible.

Haka is not the problem. Our silence is.

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