Skip to main content

Oxford Research Encyclopedia Entry: Power and Control



It was summer. A summer when the violence escalated.

In those months, when the repression accelerated from polite threats to sit down meetings to direct threats to the accusations, I was writing this encyclopedia entry on Power and Control for the Oxford Research Encyclopedia of Communication.

Witnessing power work through the cells of my body, feeling my body respond to the repression from bouts of throwing up to losing consciousness, disrupted my understanding of power as communicative, anchoring the discursive sites of power in material articulations.

I felt the brute effect of power even as I was writing about it.

My readings and re-readings of Marx, Adorno, Gramsci were intimately intertwined with my experiences with power, resisting it, and negotiations of it in an ever-contingent space of (im)possibilities.

In this Review, I explore the interplays of the discursive and the material in the production of power and control. Power is both a force that perpetuates oppression as well as a vital source of emancipatory resistance. The review works through the question of power from interpersonal and organizational levels to political, economic, and societal realms. It attends to the contemporary context of power in the digital, circulated through structures and networks of data, in the surveillance and manipulation of behaviors, and the continuous search for extractive sites for digital capital.

Here is the link to the article:

http://oxfordre.com/communication/view/10.1093/acrefore/9780190228613.001.0001/acrefore-9780190228613-e-636

APA citation:

Dutta, M. (2018). Power and control in communication studies. In Oxford Research Encyclopedia of Communication. Oxford University Press. doi: http://dx.doi.org/10.1093/acrefore/9780190228613.013.636

 

Popular posts from this blog

The Haka, the Hurt, and the Work We Owe

  The Haka, the Hurt, and the Work We Owe An Indian in Aotearoa reflects on resistance, complicity, and the solidarities we have yet to build Mohan Jyoti Dutta I watched the haka. I watched it several times, in fact. Each time, I tried to sit with what I was feeling before reaching for what I was supposed to think. Let me be honest about who I am in this conversation, because that matters. I am an upper caste, upwardly mobile Indian man. I am a professor at a university in Aotearoa. I carry the accumulated privileges of Brahminical socialisation, of English-medium education, of institutional access that was never designed for the communities I now write about and alongside. I say this not as confession but as orientation — because where you stand shapes what you see, and I have learned, through years of working with communities at the margins, that the refusal to name your own location is itself a colonial habit. The haka directed at Parmjeet Parmar did not offend me. It ...

The Suit Walks the Corridor

  The Suit Walks the Corridor At ten past nine on a Monday the corridor on the top floor of the administration building fills with the sound of expensive shoes. The carpet up here was laid in the last refurbishment and still gives slightly underfoot, the way a good hotel lobby does, and the doors along it close with the soft, well-engineered thud of a German car. Along this carpet, in the direction of the lift marked Executive, comes the suit. It comes in navy and in charcoal, in the odd daring pinstripe, in the female version too, a tailored jacket over a silk shell, and heels that announce themselves on the tile of the lift lobby a full three seconds before the person arrives. The suit carries a flat white from the good cafe, the one that closed the student cafe to open, and a lanyard that swings with the confidence of a thing that opens doors. The suit passes the framed founding professors, who were photographed in gowns and look, at this distance, like a row of disapproving pe...

The Substack and the Slur: How a Manufactured Crisis Toppled a Wahine Māori Political Editor

  The Substack and the Slur: How a Manufactured Crisis Toppled a Wahine Māori Political Editor On the architecture of the Aotearoa culture-war machine, and the danger it poses to a democracy heading into 2026 There is a particular cadence to the afternoon on which the career of a senior Māori journalist  at TVNZ is finished. It is unhurried. It begins with a tweet — in this case, a single image of a typed statement, posted by Maiki Sherman, the now-former political editor of TVNZ, on the afternoon of Friday, 8 May 2026, announcing that she had parted ways with the broadcaster. The post was terse, dignified, and final. As RNZ later reported , Sherman wrote that the scrutiny of the previous week had placed enormous pressure on her and rendered her role "untenable." The first wahine Māori to lead a major broadcaster's political team was gone. The story that finished her had not, ten days earlier, existed in any newspaper, on any wire, on any website you would consider mai...