It was during the 1970s when the world witnessed the uprising of Jamaican people against the neocolonial in the country to improve their social conditions. It is thrilling to see the unique bond the movement shared with Reggae, its worldwide popularity, and how it reshaped the meaning of the whole movement. It is known that reggae music increased the visibility and popularity of the Rastafarian movement worldwide, but it also made the movement impure and gave rise to a new group called the pseudo-rastafarians, perpetuated the nuances of the two ideological groups - political and religious rastafarians into irreconcilable rift. In its journey from the primitive studios in Jamaica to the state-of-the-art studios in the United States or Great Britain, the reggae music lost its true essence of the movement, and the portrayal of the Rastafarian movement metamorphosed into a pan-African movement. Unlike early roots reggae, the worldwide popular reggae music projected the Rastafarians,
This blog offers Mohan Dutta's reflections on the theoretical framework of the culture-centered approach, examining the interplays among Structure, Culture, and Agency in shaping marginalisation and the ways in which communities at the margins challenge structures. Writings on the blog are continually being revised to reflect the organic analysis of structure and agency.