Harmony is often used as a term drawn from Confucianism and other cultural tropes connected to Chinese origin narratives to portray a positive narrative of institutional and organizational cultures. In such narratives, a desirable harmonious structure is one that is devoid of conflict and dialectics, one where "all get along." The condition of "getting along" is placed in opposition to notions of conflict and argumentation. Obfuscated in this narrative however is the way in which the concept of harmony serves as a trope for reproducing and protecting privilege in Chinese majority societies. As a trope, harmony calls for the production of consent, while simultaneously erasing the voices of difference and dissent. "Other" voices from elsewhere are projected as threatening to the desired state of equilibrium. That this desired state of equilibrium often typically serves the dominant elite categories is obfuscated in the discursive space. The voi...
This blog offers Mohan Dutta's reflections on the theoretical framework of the culture-centered approach, examining the interplays among culture, communication and marginalisation. It also explores resistance, the ways in which communities at the margins challenge structures. Writings on the blog are updated to reflect the organic analysis of structure and agency. Occasionally, this serves as a space for interlocutors examining marginalisation and voice.